Cine Cameras

The first ALEXA 35 Live - Multicam Systems have been delivered and already been active in a production. At the same time a test shoot on a soccer game has been conducted.

At the 77th Festival de Cannes, more than 80 percent of films in leading categories were captured with ARRI camera systems—with ALEXA 35 and ALEXA Mini on top of the charts.

DP Adil Afsar used ALEXA 35 and ARRI Master Anamorphic lenses, along with ARRI SkyPanels, to bring Indian comedy film “Madgaon Express” to life.

The toolkit of French cinematographer Vincent Richard, also known as “Marquis,” for his work with comedic films includes ALEXA Mini LF and ALEXA 35.

An ALEXA Mini LF camera and ARRI Signature Prime lenses proved useful to DP Nicolas Gaurin AFC for the comedy “Mr. Putifar’s Wacky Plan.”

A stalwart of French comedy, director of photography Stéphane Le Parc has adopted the ALEXA Mini LF for all his recent projects.

Director Joelle Taylor and DP Jon Gourlay made their foray into virtual production to bring the vision of singer-songwriter Norah Jones to life. 

South Korea’s leading organizations for virtual production utilize ARRI lighting and camera systems to push boundaries in the field.

ARRI’s camera and stabilizer portfolio provides the sports tech industry with top tools, trusted expertise, and efficient workflows that deliver truly cinematic images and allow for easy integration with third-party technology.