Accessible high-end stabilization for live productions
A new era in live stabilization
ARRI introduces ARTEMIS 2 Live, a compact and lightweight camera stabilizer optimized for live productions such as sports and event broadcasts. Providing an accessible entry-point into ARRI’s CSS range, ARTEMIS 2 Live is modular and upgradeable, allowing users to adapt their rig to different production demands and career pathways while retaining the quality and dependability of ARRI engineering.
Ergonomic, minimalist design, with an incredibly short post that gives users more legroom and greater freedom to follow the fast, unpredictable action of live productions, even in tight spaces.
Tailored to live productions
The needs of EFP (Electronic Field Production) workflows are met with features such as TALLY and LBUS, allowing hybrid lens control of both ENG and cine zoom lenses.
Future-proof modularity
ARTEMIS 2 Live can be upgraded to the cine-style ARTEMIS 2 and TRINITY 2 stabilizers for film and drama work, with the reverse also possible via Conversion Kits.
Accessible, all-inclusive packages
ARTEMIS 2 Live is available in a number of user-friendly Ready to Shoot Sets, providing everything needed to integrate the stabilizer into live production environments. Sets can be configured with V-mount or Gold-mount batteries, and with the ARRI gimbal or no gimbal for Tiffen Volt configurations, meeting the diverse needs of many different users and productions.
Design and functionality
New, specially designed monitor brackets
New base mount and monitor jockeys accommodate 7” monitors from TRANSVIDEO, Smart Systems, and SmallHD.
Second bracket supports the 5” ‘on air’ monitor often used on live production rigs.
Flexible gimbal and power options
Compatible with both ARRI and Tiffen Volt gimbals.
Adapts to V-mount or Gold-mount batteries.
Compatibility with CSS ecosystem
Same high-quality components as ARRI’s flagship stabilizers.
Brackets and accessories are compatible across the entire CSS product range.