Welcome to ARRI's Creative Lens Showcase

We're proud to showcase the work of cinematographers who have chosen ARRI lenses and filters to bring their creative ideas to life. Vision, variety, and passionate virtuosity – all are combined across a selection of narrative, commercial and music video highlights for you to enjoy. Become part of the Signature lenses story by clicking on the submit button and sharing your work. 

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ARRI Signature Zoom 65 - 300 mm T2.8 example footage.

FAQ

  • We showcase here the work of cinematographers who shot with ARRI Signature lenses and are happy to exhibit their work. This might be big movies (examples on this page include Academy, BAFTA, and ASC Award nominees or winners), dramas, documentaries, commercials, VFX-heavy projects, or even corporate films and art pieces. The important thing is for viewers to experience engaging and varied Signature images. Please submit your work and be part of the Signature story!

  • Yes, you can. Please click on the “Submit” button and fill out the form. There is a team which curates this page, and each entry will be taken into consideration. The more submissions, the better, but we only can showcase clips that are already published on YouTube or Vimeo. You cannot send us a video file, as we will not stream it from our website. We only link to existing footage.

  • Signature lenses cover both formats, and we’re keen to see footage of each on this page. We’d love as much diversity of content as possible – shallow depth of field as well as deep focus, wide-angle as well as telephoto, classical compositions as well as dynamic camerawork. The Signature family covers a huge range of imaging possibilities, so no matter how you used the lenses, it all contributes to the overall impression of creative versatility.

  • We will consider any clips shot with Signature lenses, regardless of what camera has been used. It’s the glass that matters on this page.

  • No, this showcase page is meant only for images created with Signature Primes and Zooms, with or without Impression V Filters.