Stabilized Remote Heads

The SRH‑3 and SRH‑360 are three-axis, fully stabilized remote heads that allow cameras to go where no other heads can with incredible flexibility and ease. Whether it be on a cine set, in a TV studio, or at an event, the SRH‑3 and SRH‑360, together with digital controllers such as the DRW-1, DEH-1 and Master Grips have the full force of ARRI technology behind them and can be combined with all ARRI CSS accessories like the SAM plates and external radio modules. Upgrade your existing SRH‑3 to the SRH‑360 and get a 360-degree range of motion with the newly designed pan axis with slip ring.

Features

Smart and adaptive system

To provide outstanding stabilization, the motors inside the ARRI Stabilized Remote Heads can compensate for external centrifugal force by adding extra motor power. SRH‑3 and SRH‑360 can also be remote controlled with ARRI's joystick based control board with optional wheels.

High payload, low weight, compact design

The ARRI SRH‑3 and SRH‑360 are extremely compact and lightweight. However, the low weight does not equate to lower support capabilities: each Stabilized Remote Head is capable of handling payloads in excess of three times their own weight (up to 30 kg / 60 lbs.), which represents the best weight-to-payload ratio available on the market.

Future-proof workflows

The ARRI Stabilized Remote Heads are perfectly compatible with other ARRI products and workflows, but can also be used with a variety of competing brands. ARRI stands behind its products, continually offering years of service and updates to users.

Budget-friendly

When working with high-end image capturing systems, there is no sense in compromising on a stabilized remote head due to the price tag. The ARRI Stabilized Remote Heads have taken expense into consideration. Despite their premium features, the SRH‑3 and SRH‑360 are budget-friendly.

Quotes

The ARRI SRH‑360 packs a huge amount of performance into a compact build. Being able to run up to 30 kg payload in a lightweight head keeps the weight of our whole system down. This makes an enormous difference when creating dynamic shots at high speed.

UK-based commercials DP Sam Meyer (left) with arm operator Louis Vella

Modern cinema production is dominated by tight budgets and even tighter schedules. The SRH gives me the ability to carry a 3-axis stabilized remote head as part of my weekly grip package due to its cost effectiveness. Its high level of stabilization excels at capturing dynamic action. With its sleek, lightweight build, I can very quickly mount it on other platforms such as a dolly or a crane in a studio, with a minimum of fuss. It really is a very versatile and reliable piece of kit, and has rapidly phased out other remote options we’ve worked with in the past.

Kim Worthington (Known for: King Kong, Jojo Rabbit, Bridge to Terabithia, and many more)

145968517_233306858453642_2511216080345565894_n

We were very proud to be the first to bring the SRH‑360 in the air on our eco-friendly aerial solution, to capture outstanding footage of the Alps and the Mont Blanc. The SRH‑360 is lightweight, very easy to install and intuitive to use. Equipped with an ALEXA Mini and a 250 mm zoom lens, we were amazed that even at full zoom, and at more than 160 km/h, the SRH‑360 provides rock-solid stabilization.

DP Christophe Pottier, Pilot Jason Barrault, Producer Damien Schneider from NoGravity Films, a Paris-based production company specialized in aerial filming, using ultralight aircrafts.

The SRH‑3 is such a versatile bit of kit and I’ve used it regularly on boats and vehicles. But for me its real benefit is that it’s so light. As primarily a location documentary DoP, I know I can if need be rig it on my own. It’s also pretty much plug and play but with access to as many layers of fine tuning as you need. Integration with the ALEXA Mini cuts down the cabling and gives me all the control I need on one desk. And of course it has the ARRI badge on it which gives a real sense of reassurance in a remote and maybe challenging location.

DP David Baillie (Known for: Year of The Tiger, Made of Stone, Beowulf and many more)

The SRH‑3 is definitely another step in the right direction – just like the MAXIMA and the TRINITY, it’s robust and very user friendly. The stabilization is particularly good, and it holds the horizon rock solid. You always have good control of the image, whether you are using the joystick, or the wheels. It’s a premium product.

Cinematographer Eberhard Schedl (Known for: The Mistery of Sintra (Steadycam Operator), Technoboss (Steadycam Operator) and many more)

Cinematographer Eberhard Schedl

I simply love the ARRI SRH‑3, it’s a must-have. I never thought it would be possible to film on a race track at speeds up and over 120-MPH and hold a perfect stabilized image thorough. With its unsurpassed stabilization system and its superb interface, the SRH‑3 has made it possible to withstand unbelievable speed and G-force without a single glitch. It brings creative visions to new levels and has encouraged me to explore unknown territory, allowing me to capture shots with utmost confidence.

Cinematographer Onofrio Nino Pansini (Known for: Black Panther (Camera Operator), Captain Marvel (Camera Operator), Venom (Camera Operator) and many more)

SRH‑3 on set

The SRH‑3 was absolutely reliable in a very challenging broadcast setup: the images were totally stable and the head was easy to handle.

SRH‑3 Operator Jan Karabasz (Known for: Die drei ??? und der seltsame Wecker (camera technician: black cam) and many more)

Video room

ARRI TechTalk: The All New Camera Stabilizer Systems RCP GUI

Curt O. Schaller, Product Manager for Camera Stabilizer Systems at ARRI, walks you through the new RCP GUI for CSS products.
The new CSS RCP GUI unifies the look and feel of control inputs across the TRINITY 2, TRINITY 2 Pan Axis and 360 EVO Stabilized Remote Head.
Explore more about ARRI's Camera Stabilizer System products at https://arri.com/css

ARRI Tech Talk: SSB-9 Counterweight Holder

The Stabilizer System Bracket SSB-9 performs two very useful functions:
1.) Well-known CSS counterweights like the Counterweight CW-1 can be fastened to the SSB-9. The SSB-9 can then be placed at the bottom of any SAM plate and moved back and forth to achieve active balancing of the TRINITY 2 and 360 EVO.
2.) If you attach two SSB-9s to a SAM Zero plate using 3/8" screws, you can slide the...

ARRI Tech Talk: TAB-1-Extension

When shooting with the TRINITY 2 or 360 EVO stabilizers, the Top Attachment Bracket TAB-1 K2.0041117 connects to the camera in front of the stabilizer’s inner ring via 15 mm rods. However, if you’re not using 15 mm rods or if a long zoom lens pushes the center of gravity too far forwards, it may not be possible to use the TAB-1 as intended. In these situations, you can mount the TAB-1 in an...

ARRI Tech Talk: 360 EVO

Get to know our new, top-of-the-line 360 EVO: a stabilized remote head that lives up to its name with 360-degree rotation not only on the pan axis, but also on the roll axis, enabling filmmakers to take their creative visions even further. It also offers an easy upgrade path for SRH owners and seamless adoption for TRINITY operators, thanks to shared software and accessories, as well as...

360 EVO Feature Tour

Discover the technical upgrades and innovative features the 360 EVO, ARRI's latest stabilized remote head, has to offer. For more details visit our website: https://arri.com/360-evo

Introducing the 360 EVO - Rock Steady and Roll Ready!

Rock-steady and roll-ready: meet the 360 EVO, ARRI's new flagship stabilized remote head. Building on the success of the SRH-360, it features 360-degree rotation on the roll axis as well as the pan axis, a more robust design, and remote system integration. A new GUI and multiple accessories are shared with the ARRI TRINITY 2, creating a uniquely integrated lineup of hard-mounted and...

ARRI Tech Talk: Top Attachment Bracket TAB-1

The TAB-1 is a bracket that attaches to the front-top of a stabilizer and provides an additional anchor point to steady the camera. It can be used either with an ARRI stabilized remote head or an ARRI TRINITY 2, accommodating longer and heavier lenses and allowing operators to move the camera at high speeds or extreme angles without unwanted vibrations.
00:00 Introduction
00:44 SSB-4 is...

Behind the scenes with SRH-360 on aerial shooting “THE FALL”

Go behind the scenes of No Gravity Films' “THE FALL”.
The production team chose a cinema camera with a large lens to capture wingsuiters in the air. The ALEXA Mini was mounted on the SRH-360 – a combination that guarantees a super lightweight setup and steady images in cinematographic quality.

SRH-360 on aerial shooting “THE FALL”

In a world premiere, NoGravity Films captured the first ever close-up footage of wingsuit flyers with a cinema camera, using ALEXA Mini on ARRI’s Stabilized Remote Head SRH-360. Even in extreme situations like an aerial shooting, this eco-friendly ultralight solution proved to be the winning choice for creating stabilized images while keeping a cinematographic quality.
Crew:
Directors...

SRH-360 on board of NoGravity's microlight aircraft

NoGravity Films is a Paris-based production company which specializes in aerial filming, using ultralight aircrafts. In November 2020 they tested the ARRI SRH-360 on board of their microlight.
Watch the rock-solid images they captured!

ARRI TECH TALK Live: Remote Production Solutions without Compromise

For more information click here: https://arriwebgate.com/directlink/2798c7bedc2a4770
A webinar about the safe and creative opportunities of using ARRI Remote Solutions and our Camera Stabilizer Systems. Learn how to achieve stunning cinematic images without compromise and get the most out of all your kit.

SRH-3 challenged on water

Cinematographer David Baillie challenged the SRH-3 on rough, unpredictable waters. The combined benefits of light weight and easy setup made for an efficient shoot. He was very pleased with the results, as no stabilization in post production was necessary.

ARRI TECH TALK Live: SRH-360 in Remote Operating Workflow // English Version

Watch Product Manager Curt Schaller and special guest Nino Pansini (known for "Ford v Ferrari," "Fast & Furious," and many more) demonstrate the SRH-360 and its accessories that allow a remote operating workflow, in order stay safe on set and comply with Covid guidelines.

ARRI Tech Talk: Introduction to the Stabilized Remote Heads SRH-3 and SRH-360

Welcome to our Tech Talk series with Junior Lucano about the ARRI Stabilized Remote Heads SRH-3 and SRH-360. This introduction gives you an overview of the key features of both heads and their extensive compatibility with additional accessories and tools, including third-party lenses.
Junior Lucano is a Certified ARRI Academy Trainer for the SRH and experienced TRINITY specialist in Asia.

ARRI Tech Talk: Product overview of SRH-3 and SRH-360 (1 of 12)

ARRI Stabilized Remote Heads offer a variety of movements and tilting options. They come with a tool-free mounting platform to allow quick mounting of the camera. Part one in the series shows what you need to do in order to guarantee perfectly stable images, without any vibrations.

ARRI Tech Talk: Options to connect accessories to SRH-3 and SRH-360 (2 of 12)

Find out how to combine the ARRI Stabilized Remote Heads with different accessories in this second part of the series.

ARRI Tech Talk: Remote Control Panel for SRH-3 and SRH-360 (3 of 12)

The ARRI Remote Control Panel (RCP) allows you to control the SRH remotely, whether by hard wire or by internal or external radio modules. It can be ordered with three different joystick options and can save up to nine user profiles. On both sides of the RCP are LBUS connectors that can be used for various accessories.

ARRI Tech Talk: Iso Damper for SRH-3 and SRH-360 (4 of 12)

Part four in the series is about the ARRI Iso Damper – a must-have for SRH users to absorb even the smallest of shocks and unwanted motions. This clip shows you how to mount the Iso Damper to the head.

ARRI Tech Talk: Wiring of SRH-3 and SRH-360 (5 of 12)

What do you need to consider for the very first setup of the SRH? Which kind of power supply do you need to achieve the best possible quality? Part five in our Tech Talk series has the answers.

ARRI Tech Talk: Mounting a camera to SRH-3 and SRH-360 (6 of 12)

Part six in our series explains in detail how to mount a camera to the SRH with the help of SAM plates, and how to obtain the correct camera position.

ARRI Tech Talk: Setting the starting position of SRH-3 and SRH-360 (7 of 12)

Now that the camera is mounted onto the head, you need to set the correct starting position in order to achieve the best possible performance. Part seven shows how.

ARRI Tech Talk: Initial understanding of PID (8 of 12)

Part eight in the series gives you a quick overview in order to understand what the PID is and where to adjust it.

ARRI Tech Talk: Setting the PID for SRH-3 and SRH-360 (9 of 12)

The SRH Remote Control Panel offers default PID settings for low-dynamic or high-dynamic setups, which provide a starting point. For your individual setup of the head in combination with the camera you are using, the PID values will need to be adjusted. This Tech Talk explains what to look out for.

ARRI Tech Talk: Troubleshooting of the PID for SRH-3 and SRH-360 (10 of 12)

Part 10 in the series of Tech Talks addresses the possible issues you could run into with the PID, and how to solve them.

ARRI Tech Talk: Setting up the DEH-1 for SRH-3 and SRH-360 (11 of 12)

Use the ARRI Digital Encoder Head DEH-1 to intuitively control the movements of the Stabilized Remote Head. This Tech Talk explains how to set up the DEH-1.

ARRI Tech Talk: Setting up the DRW-1 for SRH-3 and SRH-360 (12 of 12)

The final part of this Tech Talk series shows the advantages of using ARRI Digital Remote Wheels DRW-1, and how to set them up correctly.

ARRI Stabilized Remote Head SRH-360 Product Feature Tour

The SRH-360 is the updated version of ARRI's Stabilized Remote Head SRH-3. Its newly designed slip ring permits unlimited rotation of the head on its pan axis, while the improved pan motor compensates for powerful centrifugal forces. Compact and lightweight, yet capable of high payloads, the SRH-360 takes dynamic shot-making to the next level.

ARRI Camera Stabilizer Systems Showreel 2019

New ARRI Camera Stabilizer Systems Showreel

See TRINITY, MAXIMA, and SRH-3 hard at work behind the scenes in our brand new ARRI Camera Stabilizer Systems Showreel.
Whether with commercial work or on feature films, ARRI’s camera system stabilizers provide rock-steady images with ultimate flexibility, regardless of terrain. We would like to thank all the film crews who put their trust in our...

ARRI SRH-3: Compact, lightweight and sturdy

The Stabilized Remote Head SRH-3 takes cameras to places people can’t go. Follow it through our showreel which highlights the head’s superb maneuverability, and see the amazingly stable images the SRH-3 makes possible.