ALEXA 35 Live Xtreme delivers powerful high-speed capabilities that elevate live entertainment coverage to new heights. HFR (high frame rate) outputs of up to 8x in HD or 2x in UHD allow the emotion and drama of live events to be broadcast in stunningly beautiful slow motion via standard SDI workflows, enhancing creative options for producers and directors.
Since a separate high-speed camera is no longer required, the HFR content now has the same ARRI look as the regular feed, and a consistent visual style is assured across both the live coverage and highlight reels. When using ALEXA 35 Live Xtreme on a live production, everyone from the engineers and operators to shaders and directors can do their job in the normal way.
ALEXA 35 Live Xtreme comes permanently pre-installed with the existing High Speed License for ALEXA 35 and a new High Frame Rate SDI License. When combined with the LPS-1 Fiber Camera Adapter and Fiber Base Station—and a standard slow-motion playout server such as EVS or SimplyLive—the camera can output HFR from one or two SDI outputs, seamlessly integrating with traditional broadcast workflows.
The simultaneous live feed from ALEXA 35 Live Xtreme can be customized to match other standard-speed cameras by blending two or more phases to create more natural motion blur, without impacting the HFR output in any way.
Uniquely, the ARRI system lets users choose how many phases are blended via the LPS-1 web interface, allowing them to fine-tune motion blur on a project-by-project basis. In the example below, three phases have been blended because this was the combination that best matched other standard-speed cameras shooting the scene.
ALEXA 35 Live Xtreme forms part of a complete ARRI system for live production, incorporating a host of interconnected components and accessories. Together, they cover every requirement of a traditional multi-camera broadcast workflow and can be integrated into existing systems and practices with ease.
The Live Production System LPS-1 consists of the Fiber Camera Adapter and the Fiber Base Station. They can be connected either with a hybrid fiber cable that delivers both power and uncompressed 4K video over distances up to 2 km, or with a tactical fiber cable up to 10 km in length. An extra fiber tunnel and Ethernet tunnel increase the system's flexibility with additional video, audio, or control signals.
The 10-inch LPM-1 provides a clear image in all conditions—even full sunlight—due to its display brightness of up to 1500 nits, wide viewing angle, accurate color rendition, and two sunhood options. Constructed from robust but lightweight aluminum, the monitor features a large, easy-grab handle for rapid repositioning.
The purpose-designed Large Lens Adapter offers the fastest and simplest method of mounting ARRI cameras to box lenses for broadcast applications. Incorporating all of ARRI’s expertise in modular, intuitive, and rock-solid mechanical accessories, the LLA-1 accommodates diverse lens and power requirements, making life easy for operators.
By using ARRI’s Camera Access Protocol (CAP), the Skaarhoj RCP enables traditional live painting as well as full control over camera settings, including some not covered by other RCPs, such as frame rate, REC start/stop, playback, and the selection of looks, ARRI Textures, and setup files.
Complementing the two camera options and the core live components is range of bespoke accessories that round out the ALEXA 35 Live – Multicam System. It includes tally options, monitor support, adapter plates, and a special production handle—all of which enable camera builds that perfectly suit live environments.
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