Alura Studio Zoom | Lenses

Using the latest in optical design technology and innovative manufacturing techniques, the ARRI Alura Zooms combine the highest optical performance with an amazingly small size, weight and price. They are available as Studio zooms for use on a tripod or crane with a wider focal range, or as lightweight zooms which are significantly smaller and lighter in exchange for a reduced focal range.

All Alura Zooms' color characteristics, as well as their handling, are matched to existing prime lenses in ARRI's outstanding repertoire.

Features

Outstanding Optical Performance

High resolution, high contrast
Even field illumination
Minimized ghost, flares and veiling glare due to FUJINON multi-layer EBC coating
Greatly reduced chromatic aberration through the use of extraordinary dispersion glass
Minimized breathing, especially at the wide end where it counts
9 iris leaves for round, out-of-focus highlights and a pleasing, organic bokeh

Consistent Optical Performance

Consistent contrast, resolution and field illumination across the whole focus and zoom range

Matched Zooms

Matched wide and long PL mount zooms for an efficient shooting pace
Small size and low weight for quick and easy handling on the set

Fast and Steady

T2.6
Consistent aperture over entire zoom range

Film Style Ergonomics

Compatible with film and digital ARRI cameras and accessories
Robust construction
Large, easy-to-read precision focus scales on both sides
Matched to existing prime lenses
Easy Servicing

Quotes

I've never been so excited about a new lens as I was when the Alura Zoom 45-250 came out.

Cinematographer Shi Luan (Known for: Falling Flowers, The Great Revival, Secret Fruit and many more)

arri alura zoom is being used on the set.

I used the Alura 45-250 in Arctic snowstorms as well as in the heat of the desert.

Cinematographer Rolf Steinmann specializing in wildlife documentary. (His credits include: Dynasties: Painted Wolf, Planet Earth II: Mountains, In Between, Wild Arabia and many more)

Wildlife cinematographer Rolf Steinmann works with the ARRI alura zoom lens.

With the Alura Zoom, there was no sign of chromatic abberation, flare was well controlled and, in the grading suite, it matches well with the Master Primes.

Cinematographer Philip Clemo (Known for: Shadow Seas, The Memory of Objects: Chateau de Rochebonne, France and many more)

Filmmaker Philip Clemo in action with the alura studio lens.

Technical Data

Name	ARRI/FUJINON Alura Zoom 18-80	ARRI/FUJINON Alura Zoom 45-250
Lens Mount (1)	PL	PL
Focal Length Wide	18	45
Focal Length Wide	80	250
Focal Length Ratio	4.4	5.6