Inspiring Images. Since 1917.

The Wiener Konzerthaus and the Mozarteum University Salzburg use ARRI Orbiter for their lighting. Both appreciate the high quality of the color and characteristics of the light along with the fixture’s perfect dimming curve and quiet operation.

The team behind X3D Studio and cinematographer James Hia discuss the creative possibilities and groundbreaking experience of filming in Southeast Asia’s largest ARRI-accredited virtual production stage.

Cinematographer Guido Frenzel used the ARRI Multicam System to give a live production feel to a new adaptation of the Holocaust trial play, “Die Ermittlung. Oratorium in elf Gesängen.”

Director Gideon Merz completely relied on ARRI SkyPanel X to illuminate his short film “Tempest” and create different looks with limited resources.

ARRI Solutions supported campaign’s LED volume shoot with consultancy on color calibration and playback workflow development.

DP Benedict Spence BSC and colorist Toby Tomkins speak to ARRI about visualizing New York City in the 1980s for the six-part Netflix series, captured with ALEXA 35.