Orbiter demonstrates its qualities in Austrian concert halls

Orbiter demonstrates its qualities in Austrian concert halls

The Wiener Konzerthaus and the Mozarteum University Salzburg use ARRI Orbiter for their lighting. Both appreciate the high quality of the color and characteristics of the light along with the fixture’s perfect dimming curve and quiet operation.

Aug. 8, 2024

“Orbiter is the best fit” for Wiener Konzerthaus

The Wiener Konzerthaus (see opening image) in the Austrian capital Vienna is a first-class venue for music lovers. Top artists of all genres have performed in this atmospheric Art Nouveau setting since 1913. The musical spectrum of the Wiener Konzerthaus is not limited to classical repertoire, it ranges from the Middle Ages, Renaissance, Baroque, jazz, and world music to the progressive sounds of the present day. The demands placed on the fixtures installed here are as varied as the program.

Top artists of all genres perform at the Wiener Konzerthaus

Top artists of all genres perform at the Wiener Konzerthaus

To ensure that not only the musical enjoyment but also the aesthetics of the magnificent auditorium are not compromised, the Wiener Konzerthaus decided to conceal ARRI Orbiters with ARRI 25° projection optics in the existing chandelier openings in the ceiling.

Viktor Scheck, Electrics & Lighting Wiener Konzerthaus, explains: “We were looking for a suitable replacement for the old 2 kW/2.5 kW profilers. We illuminate the stage from a distance of 24 m to 30 m, and there are not many LED fixtures on the market that provide sufficient luminosity at this distance. After checking our initial impression with measurements, it quickly became clear that the ARRI Orbiter was the best fit and the decision to purchase it was quickly made.”

The Wiener Konzerthaus decided to conceal ARRI Orbiters with ARRI 25° projection optics in the existing chandelier openings in the ceiling

The Wiener Konzerthaus decided to conceal ARRI Orbiters with ARRI 25° projection optics in the existing chandelier openings in the ceiling

The installation in the ceiling proved to be extremely difficult due to the limited space available and the fact that as little of the equipment as possible should be seen from the auditorium. “The position in the hall ceiling allows us to illuminate the entire stage area evenly without dazzling the musicians. We are a concert hall, not a theater. We play something different every day—a concert, a piano recital, a quartet. The Orbiter is an all-rounder that evenly illuminates the entire stage as a front light,” says the lighting expert and adds: “The color temperature is important to us, and we sometimes use colored lighting. The push of a button is all it takes to sufficiently bathe the whole stage in light with the new fixtures.”

We are a concert hall, not a theater. We play something different every day—a concert, a piano recital, a quartet. The Orbiter is an all-rounder that evenly illuminates the entire stage as a front light.

Viktor Scheck

Wiener Konzerthaus

For their symphony or philharmonic concerts, the Wiener Konzerthaus team needs a high level of brightness, but the musicians must not be blinded. According to Viktor Scheck, the “Orbiter has very nice dimming properties and even dims perfectly in the lowest percentages.” He particularly praises the quiet operation of the ARRI Orbiters and is convinced that he has found the perfect fixtures for his concert hall.

Perfect light at Mozarteum University Salzburg

Offering more than 40 fields of studies, the Mozarteum University in Salzburg, Austria, is one of the most renowned music and art universities in the world. Over 2,000 highly talented local and international students, together with 550 teachers, are dedicated to the arts, their mediation and research. Many world-famous artists have emerged from the ranks of the university.

Students of vocal studies at the Mozarteum University Salzburg sing an opera as their final performance. The lighting for “Elegy for Young Lovers” by Hans Werner Henze was the first employment of ARRI Orbiters with Fresnel optics at the Mozarteum. The lighting design was crucial for differentiating the many scenes and locations in the staging of this production. The stage was transformed into a glacier and then a mountain farm, each with a main light from the side. The LED fixtures were placed on two levels, at floor level and at a height of approximately 1.80 m.

The stage was transformed into a glacier and then a mountain farm, each with a main light from the side

The stage was transformed into a glacier and then a mountain farm, each with a main light from the side

Alexander Laehrm, Master of Event & Event Technology/Lighting Technology at the Mozarteum University Salzburg, comments on the use of the ARRI Orbiter: “Adjustments work very well via the control panel on the back of the unit and adapting to other spotlights is also flawless. Thanks to the built-in spectrometer, the spotlight can be perfectly matched to other fixtures; the white point and green-magenta deviation are perfectly adjusted very quickly. Our performances were broadcast live on the internet with six cameras, and the Orbiters provided perfect light for the cameras as well as for the audience. These are really good fixtures.”

Our performances were broadcast live on the internet with six cameras, and the Orbiters provided perfect light for the cameras as well as for the audience. These are really good fixtures.

Alexander Laehrm

Mozarteum University Salzburg

The ARRI Orbiters are now also used in the university’s concert hall. Press conferences are often held there, a European Union summit and the Federal Chancellery were amongst the guests in the last year. Laehrm explains: “We use the ARRI Orbiters with Fresnel optics. The fact that they are very quiet and can be operated without a fan was one of the most important purchasing decisions for us. This is also a chamber music hall where a lot of music productions are recorded, and you would hear every fan.”

Alexander Laehrm about ARRI Orbiter: “I’ve never had an LED spotlight that dims so well and goes up so beautifully from zero”

Alexander Laehrm about ARRI Orbiter: “I’ve never had an LED spotlight that dims so well and goes up so beautifully from zero”

The brightness, the colors, the run-out and dimming characteristics are key factors in operation. Laehrm continues: “The output is tremendous, the color quality—hats off to ARRI for what they have achieved! This is a great spotlight, and skin color, the color rendition, is also impressive. This is great for surfaces and really beautifully done. You can’t see any transitions. I’ve never had an LED spotlight that dims so well and goes up so beautifully from zero. It’s also perfect when dimming down.”

Thanks to our dealer/partner LB-electronics and Michael Heidinger.