Bremner explained, “A lot of 100mm macro shots were integrated into the project as well, dancing at both ends of the spectrum. The spiritual indigenous dreamtime stories are told through the land and history of the indigenous arts and I wanted the camera to be as unobtrusive and to have as little influence on the look as possible. I didn't feel it was right to add an artistic style or visual signature of my own to the story and the footage conveys results we got as the proof is in the pudding.”

Outside of the plates to be integrated into the project dome piece, the narrative was shot at varied frame rates – predominantly 60 fps. off a 4 ft. slider.  Bremner and his small crew shot in a multitude of conditions at dusk, dawn, night and direct daylight both inside and outside a sacred cave.