“La Bonne Épouse” (English title: “How to Be a Good Wife”) is a comedic drama by Martin Provost, featuring Juliette Binoche and recounting the female condition in the 1960s. Cinematographer Guillaume Schiffman AFC chose ARRI’s large-format camera system, consisting of ALEXA LF and ARRI Signature Primes. This setup integrated seamlessly with a pre-production ALEXA Mini LF for Steadicam shots by camera operator Benoit Theunissen. “Large-format has an immersive beauty with a rich image texture. I chose to match it with ARRI Signature Primes for their beautiful smooth skin tones and wide range of focal lengths,” said Guillaume Schiffman earlier this year. Benoit Theunissen, who used the Mini LF on Steadicam for “La Bonne Épouse,” adds: “It’s the perfect tool in the way of a light, large-format camera body and it looks and feels just like the ALEXA Mini I’m used to! A great evolution in the ARRI camera family!”