The first to receive a working prototype of the ALEXA Mini LF was multiple-award winning cinematographer Roger Deakins CBE, ASC, BSC. He used the ALEXA Mini LF together with ARRI Signature Primes, and ARRI TRINITY camera stabilizer system on the World War 1 epic “1917.” Roger Deakins: “The image that the Mini LF and the Signature Primes produce seems, to me, more like what my eyes see than anything else I have experienced so far."